“There is no end to education. It is not that you read a book, pass an examination, and finish with education. The whole of life, from the moment you are born to the moment you die, is a process of learning.” – Jiddu Krishnamurti
A New Word for my Vocabulary
I love analogies, especially ones that are as fresh as the smell of baby powder, as bright as the shine on a new car in a showroom, and as unused as a heavy wool court on a summer day in the desert.
A writer can say a lot with a few words and a good analogy. But I recently came across one that left me puzzled because it contained a word that wasn’t yet in my vocabulary. The phrase that threw me was: “as straight-backed as a caryatid,” which was part of a sentence in Rosemary Mahoney’s Down the Nile: Alone in a Fisherman’s Skiff.
What in the heck is a caryatid, I wondered, then copied the word down in the notebook that is always beside me when I read.
Usually I can guess what a word means because of how it is used by the
writer, and I usually discover I’ve pretty much hit the mark when I finally look the word up in a dictionary, but caryatid had me fully stumped. I used to actually have a dictionary by my reading chair, but these days, having kept up with the computer age, I use an online version.
When I finally got on my computer, I learned, according to Wikipedia, that a caryatid is a sculpted female figure serving as an architectural support that takes the place of a column or a pillar, and that the karyatides is a Greek term that means “maidens of Karyai.”
Who are the maidens of Karvai, and who are what is Karvai? This wondering mind of mine never seems to stop.
Karvai was an ancient Peloponnese village with a temple dedicated to the goddess Artemis, where maidens held dances in which they carried baskets of live reeds on their heads, as if they were dancing plants.
But, as a good journalist always does, I went to a second source. And the answers here were a bit different. According to the online version of the Encyclopedia Britannica:
A Caryatid, in classical architecture, is a draped female figure used instead of a column. They first as appeared in pairs in three small buildings at Delphi (550–530 bc), and their origin can be traced back to mirror handles of nude figures carved from ivory in Phoenicia, and draped figures cast from bronze in archaic Greece. According to a story related by the 1st-century-bc Roman architectural writer Vitruvius, caryatids represented the women of Caryae, who were doomed to hard labor because the town sided with the Persians in 480 bc during their second invasion of Greece.
And so went my morning of research instead of writing. But I did add a new word to my vocabulary.
Bean Pat: Something to Think About http://tinyurl.com/lmab4qh And do — in a world gone mightily mad.
Ha! A word I learned when I was in grade school during numerous field trips to the Museum of Science and Industry in Chicago (built for the 1893 World Columbian Exposition as the Palace of Fine Arts). The nuseum has twenty-four caryatids. Lovely post.
Καρυατιδες are my favorite figure. I love the strength of their body and this is my favorite exhibit at the Acropolis museum.
But you can also find them hidden in Athens’ structure near the old city:
http://culture360.asef.org/opportunity/henri-cartier-bresson-international-photography-award/attachment/hcbphoto/
Take care from sunny (today) Greece!
Thanks for the information SewTales. It’s 50 degrees and windy here in Tucson. I love hearing about the weather today in Greece.
Thanks JoHawk. I’ve been to the Field Museum in Chicago a couple of times, but never the Museum of Science and Industry. Too bad I missed it.
I love the strength of their body and this is my favorite exhibit at the Acropolis museum. I’ve been to the Field Museum in Chicago a couple of times, but never the Museum of Science and Industry.